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・ Dmitry Chernov
・ Dmitry Chernukhin
・ Dmitry Chernykh
・ Dmitry Chernyshenko
・ Dmitry Chernyshov
・ Dmitry Chudinov
・ Dmitry Davydov
・ Dmitry Debelka
・ Dmitry Demushkin
・ Dmitry Dmitrievich Maksutov
・ Dmitry Dmitriyenko
・ Dmitry Dmitriyevich Smyshlyayev
・ Dmitry Dokhturov
・ Dmitry Dolgopyat
・ Dmitry Donskoy
Dmitry Donskoy (opera)
・ Dmitry Dorofeyev
・ Dmitry Dubyago
・ Dmitry Dudar
・ Dmitry Faizullin
・ Dmitry Fedoseev
・ Dmitry Filippov
・ Dmitry Filosofov
・ Dmitry Flis
・ Dmitry Furmanov
・ Dmitry Gabrilovich
・ Dmitry Galanov
・ Dmitry Galkovsky
・ Dmitry Gamov
・ Dmitry Garbuzov


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Dmitry Donskoy (opera) : ウィキペディア英語版
Dmitry Donskoy (opera)

''Dmitry Donskoy'' ''((ロシア語:Дмитрий Донской)''), also known as ''The Battle of Kulikovo ((ロシア語:Куликовская битва))'' was the first opera written by Anton Rubinstein. It has three acts and a libretto by Count Vladimir Sollogub and Vladimir Zotov, based on a drama by Vladislav Ozerov. First performed in 1852, the opera, apart from its overture, is now lost.
==Background==
Rubinstein asked for a libretto from Sollogub, who had also worked on Glinka's successful opera ''A Life for the Tsar'', on what was ostensibly also a nationalist theme, the success of Dmitry Donskoy at the Battle of Kulikovo (1380) against the commander of the Tartar Blue Horde, Mamai. However he ignored the historic elements in favour of a fairly routine operatic love story.
The overture was completed first and was performed at a concert in 1850.〔Taylor (2007), 27〕 But Rubinstein faced trouble with the Russian censors, who forbade any stage presentation of Donskoy himself singing. Eventually the score was approved in 1851, and the first performance took place on 30 April 1852 at the Bolshoi Kamenny Theatre in St. Petersburg. The censors however insisted that the title be rendered as ''The Battle of Kulikovo''. Rubinstein wrote to his mother 'This is not so terrible. The public will gradually find out what the real names are'.〔Taylor (2007), 30〕 The composer was pleased by the reception, although he complained about the quality of the singers: nonetheless he reported that 'The success was enthusiastic!' 〔Taylor (2007), 34〕 However the opera had only four performances and does not seem to have been revived. Only the score of the overture has survived, together with one aria and some vocal parts in archives in St. Petersburg.

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